About


Founded on one simple gesture: giving clay a quiet presence.
Maison Capucine de la Boulaye designs and makes ceramic lights and sculptures in studios between Paris and Munich. Nothing is industrialised: every piece passes through the same hands, from the first coil to the packing.
Editions are deliberately short — five, twelve pieces, sometimes only one. Unique pieces are signed and dated underneath. We also accept bespoke commissions for interior architecture projects.
Capucine de la Boulaye is a French ceramic artist based in Munich.
After a distinguished career in luxury hospitality and finance, Capucine has chosen to dedicate herself fully to her true calling: sculpture and the art of ceramic light-making in ceramic.
Her connection to clay began in 2009, while pregnant with her first child, when she walked into the Paris studio of Hans Marks in Neuilly-sur-Seine. It was Hans who first gave her a taste for the material — training her primarily through live nude figure sculpture, a discipline that proved a true revelation. It was there, shaping the human form in clay, that her life long bond with earth and material was born. There is a particular satisfaction in bringing a creation to life from raw earth — each piece, whether intended or not, captures an emotional state at a precise moment in time. Every work is a mirror of a mood, a singular feeling suspended in ceramic.
After several years devoted to the nude figure, Capucine turned her attention to wheel-throwing, joining the studio of Augusto Tozzola — the great ceramic master now based in Faïence. It was the radiant Maurane Closier who trained her in Tozzola's technique: precise, rigorous, and guided by his enduring mantra — "Master your classics, and only then will you become an artist."
Today, Capucine is ready — and full of quiet excitement — to share her creations with the world, hoping they will resonate with those who encounter them.
01
The clay
White stoneware and grogged clays, chosen for their grain and how they hold the fire. Each clay calls for its own gesture.
02
The wheel
Thrown and modelled by hand, without moulds. The forms are reworked over several days, until they dry.
03
The glaze
Glazes matte and mineral, brushed on or applied by dipping.
04
The fire
Two firings, up to 1280 °C. The kiln decides the final shade; that is what makes every piece unique.